New 2013 Designs

I've been busy at work in the studio this month.  Here are a few new designs for 2013:

Snowflake :: Ring A Week No. 45

I love the delicate beauty of snowflakes, and at this time of year I cannot resist drawing them. I etched one of my hand drawn snowflake designs into silver to create this ring. I oxidize most of my snowflake pendants to show off the delicate designs, but I loved the frosty appearance of this ring and decided to instead burnish the delicate lines of the etched design to create subtle contrast against the frosty, brushed background.

Curl Ring :: Ring A Week No. 41

For this latest Ring A Week ring, I challenged myself to make a ring out of a piece of scrap silver from a failed rolling mill experiment. I first cut the piece into a freeform organic shape and then smoothed the sides and edges. I formed it into a ring shape and then curled the ends. Finally, I gave it a soft matte grey finish. It reminds me of ribbon.

Pressed Petals :: Ring A Week No. 40

Inspired by some lovely dried hydrangea blossoms, I've created this ring by overlapping five hydrangea petals and imprinting them into sterling silver using my rolling mill. I then hand cut the silver, following the organic contour of the petals. The oxidized finish highlights the intricate veins in each petal.

Below are individual petals that I imprinted in sterling silver and 14K gold and turned into pendants. Both necklaces are available in my Etsy shops.

Talk About Blog: New Project Ideas

Each month, Handmade Division team members have the opportunity to write a blog post on a given topic. This month's topic is: What new project are you working on now and why?

A project that has been floating around in my head for awhile is a personal series of pieces incorporating mementos from my grandmothers. It's been 21 years since my maternal grandmother passed away; I lost my paternal grandmother at the end of last year. I have wonderful memories of both. From an early age, I remember being drawn to their jewelry collections (of course!) my maternal grandmother kept her earrings on a mirrored jewelry tray on her dresser. During each visit as a child I'd organize her jewelry tray, matching up her earrings and arranging them in neat pairs. My paternal grandmother had a drawer with stacking trays and later a jewelry armoire. I remember going through the drawers with her...she'd tell me about the pieces my grandfather gave her and sometimes she'd give me something to wear or even keep.

As I think about creating pieces in memory of my grandmothers, there are many possibilities. I know that I want to etch their handwriting for these pieces. I still have letters from both of them. A small heart-shaped stone that I found with one of my grandmothers could look interesting in a bezel setting or prong setting. I have bits of jewelry from both of them, with some broken pieces that I would love to somehow rework and incorporate into these keepsake pieces. I like the idea of also incorporating a tiny photo.

While this project is still in the early planning stages, it is one I think about often. I'll wait to begin the work of fabricating until the time feels right and I have a clear vision for these pieces. I'm in no hurry.

Read other Handmade Division Team blogs on this topic:

Rickson Jewellery: http://www.ricksonart.blogspot.com/
WATTO Distinctive Metal Wear: www.wattoonline.com/news

My Grandma's Necklace

I was recently asked to name a favorite piece of jewelry. My first thought was my wedding ring...then I thought of some favorite pieces by other jewelry artists, and then I thought of this beautiful locket given to me by my grandmother. It is engraved with her initial A and was given to her by her godmother when she was born exactly 89 years ago; today is my grandma's birthday. I adore this tiny locket because it's lovely and because she gave it to me and it is part of her history. In looking at the construction of this piece, I think it was designed to open but it is now firmly stuck together. I've never wanted to disturb it too much or risk damage by trying to force it open.

My grandma is an inspiration to me. An artist herself, a painter, she's always encouraged my creativity. She also told me more than once to follow my heart and in fact once made me promise to do so. It has turned out to be good advice.

Her words inspired my "follow your heart" necklace, and I think of her locket whenever I create a monogrammed necklace.

Happy birthday, Grandma.

Embracing My Mistakes

In my studio, I have a "work in progress" drawer containing not only partially finished pieces in progress but also work that didn't turn out quite as I envisioned, pieces I'm reluctant to abandon. This drawer turns out to be an inspirational place for me. It is much-visited in the course of a day, and sometimes I'll have a flash of an idea, a sudden vision of how a mistake might be transformed. Often these pieces turn out to be favorites.

One piece recently languished in the drawer for a couple of months. I intended it to be like the piece above, but I had made the rim too narrow. The piece then seemed a bit too delicate. I thought about soldering it to a solid circle of silver, but it wasn't quite what I wanted; I preferred the delicate openwork. One day I spotted it in the drawer and thought, "what if I made it convex?" I gave it a try and the necklace below was the result. I loved it!

The etched Always Necklace below was a happy accident. I started out making a Forever and Always Ring, but something odd happened during the etching process and when I pulled it out of the etching bath, it had this amazing, organic texture surrounding the "always" that I hadn't actually intended. It reminded me of rough, weathered wood. Because the rustic texture was not consistent across the entire piece and it would no longer work as a ring, it went in the drawer for a couple of weeks. When I looked at it again, It occurred to me to cut the "forever" off and use the "always" for a necklace. I was thrilled with the result. The piece sold immediately.

The Always piece has inspired other textured work, such as the edge of my Luna Moth Necklace:

My third example is an ordering mistake. I accidentally ordered chain that was too substantial, and when I received the spool I knew this chain would overwhelm the delicate pieces for which I had intended it. It occurred to me that it would be lovely for a bracelet. Below is the result. (I was tempted to keep this bracelet for myself!)


While it would be fantastic if all my work turned out exactly as I intended, I do rather enjoy the challenge of a piece gone awry; puzzling out a good solution is immensely satisfying.